The final set incorporates the cinematic concepts of memory, decoupage, sequence, shapes, and the establishing shot.
In the drawing I used imagery from the movie and my own
water color painting to create an abstract image. This abstract image sets the establishing shot
on which other layers of meaning are created.
The idea of memory being laid down over time is a conceptual decoupage,
and the sequence of vertical lines show this memory as a sequence of shapes.
The drawdel version of this image uses a rectilinear frame
to create an establishing shot, while the layers of planar and tectonic
elements form the representation of sequenced memory. The shapes made in between the memories are connections
of thoughts through one’s life, creating a grid of meaning, though partially
obscured by time and the subconscious.
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